DOCUMENTED AND RECORDED IN FINE ART
The young men of America who fought the war in Vietnam.
Individuals, their training, experiences, relating to the Vietnamese, and more
in oils, graphite, ink, casein, aquarelle and pastels
by Philip Schuyler
In the methods of the old masters with modern materials.

A story that begins with "THE FIRST DAY" and ends with "DEATH OF A SOLDIER."
No stranger to combat, Philip Schuyler was wounded twice in World War II,
then contracted polio from swamps in France.
He was eventually flown home on a litter
and spent years in hospitals.

Mr. Schuyler's first motivation in recording experiences of the men sent
to serve their country was to express appreciation to them in his own unique way.
Closely following that was his concern for the loved ones they were leaving behind.

The first dozen major artworks were, therefore, accompanied by plaques
documenting names, units, dates, locations and activities portrayed in each work of art.
These were intended to help the families understand the new lives of their men in
the unfamiliar world of the military. With consideration for historical significance,
the plaques are reproduced here exactly as they were written at the time
the artworks were created.

The first twelve artworks are oils on canvas or Masonite.
Eighteen smaller works are in various media.

(To view larger picture with description click on picture name)
 

Contact Schuyler Editions for print availability and general information

 

 

The First Day Physical Fitness Rifle Practice His First Patch Graduation
30" x 40" 40" x 30" 30" x 24" 46" x 36" 48" x 40"
Oil on Masonite Oil on Canvas Oil on Canvas Oil on Canvas Oil on Canvas

 

 Division Sergeant Major  West Point Attack The Search Chaplains
18" x 22" 32" x 40" 40" x 30" 40" x 30" 45.5" x 39"
Oil on Canvas Oil on Canvas Oil on Canvas Oil on Canvas Oil on Canvas

 

Diplomats

Death of a Soldier

24" x 32"

30" x 40"

Oil on Canvas

Oil on Canvas

 

 

 

The following eighteen works Mr. Schuyler referred to as "graphics" have his notations
on each work and therefore did not require further explanation.

 

IDG Soldier in Ambush Position Searching Dead Viet Cong Night Patrol
14" x 11" 14" x 11" 16" x 12"
Casein Black Ink Wash Polymer

 

Vietnamese Soldier Explaining a Claymore Mine Viet Cong Soldier in Ambush Position 5th Special Forces & IDGs Near Ho Chi Minh Trail
9" x 12" 14" x 11" 18" x 14"
Brown Ink Wash Casein Aquarelle

 

Evacuation of Casualties Helicopter Assault Landing Counter Mortar Radar
13" x 10" 18" x 14" 15" x 12"
Black Ink Wash Aquarelle Polymer

 

Away from combat, Americans often gave kind responses to needs of Vietnamese civilians.
Building swings and playing games with children, medics caring for health
and medical needs, and other such responses benefited both
the civilians and the Americans.

 

Green Beret Builds Swings for Children Medic Treating Montagnard in Central Highlands Village Children and Friend
9" x 12" 12" x 9.5" 9" x 12"
Brown Conte & White on Tan Black and White Crayon on Gray Pen and Ink

 

Medic Treating woman Rescued from Prison Camp Candy for Vietnamese Children Medic Treating Village Child
9" x 12" 18" x 14" 12" x 9"
Black & White Crayon on Gray Aquarelle Pen and Ink

 

Vietnamese Women Weaving Army Doctor Examining Village Children Saigon Street Vendor
12" x 8.5" 13.5" x 10.5" 9" x 12"
Brown Conte & White on Tan Black Ink Wash Brown Ink Wash

 

 

 

 

The Story of a Story in Art

Traveling in the Northwest in 1965, artist Philip Schuyler discovered that the
Army's Fourth Division was headquartered at Fort Lewis, Washington.  He had been
a lieutenant in the Fourth Division during the invasion of France in 1944 and had served
until he was rendered disabled and sent home.

In a wave of nostalgia he went to visit the Fourth Division at Fort Lewis and discovered
it was preparing for commitment to action. Still unfit for active duty but having been
a professional artist for many years, he went to the division's commander, General Collins,
with a proposal. "I can't lead them but I will memorialize them in art."
General Collins was pleased. 

Mr. Schuyler took up residence at the Fort Lewis Inn and began the first painting.
Much publicity followed. The first painting was exhibited. Then the first three were shown.
Jose Nunez, curator of the Washington, D.C. Gallery of Art, declared the works
"modern masterpieces." The painting "Chaplains" was the Picture of Honor
at an exhibition of religious art in California.

 
      
Sergeant Posing for the painting "PHYSICAL FITNESS"        

When eleven were completed they were exhibited at West Point.
The Teamster's Union asked to buy the eleven for $250,000 to exhibit
throughout the nation. Mr. Schuyler would not sell.
He was not finished with the story.

 
In 1967, with scenes of induction into the military and training completed
Mr. Schuyler sought permission to visit the troops in Vietnam to continue their story.
 
He was given the designation of Historian.
His wife was given permission to accompany him as a journalist.
She would continue documentation and written descriptions
of the scenes to inform families at home.
 
At the last minute, with preparations made and immunizations completed,
permission for a female journalist was denied.
The artist veteran alone would be able to go to places too difficult and risky
for a woman so she waited at home like thousands of other women.
 
Mr. Schuyler collected sketches, snapshots, data, and samples of many kinds
for reference materials to be used in the artworks later. 
 
In the Highlands of Vietnam, near the Laotian border, he visited a special friend,
Chaplain Howard T. Lee. They are shown in a picture below,
standing in front of the Chaplain's sand-bagged hut.

 
Mr. Schuyler and friend,
Chaplain Howard T. Lee

Many stops and visits later, after collecting much more reference material
and information, Mr. Schuyler returned home to continue the story of
our young men in Vietnam.
The series had now grown to 30 pieces of art
portraying their activities.

   
    Artist Schuyler sketching in the field

During the years that followed, Mr. Schuyler built a Fine Arts Department
at the University of Santa Clara.
After several years his health began to fail. He died in 1981.
Following his death the collection languished in storage for many years.
He had never seen his entire series exhibited together. 

Modern technology of the Internet has now provided a virtual gallery for the display
of these artworks.  At last Mr. Schuyler's dream is fulfilled - though in a way he would
never have envisioned. They can now be visited in
the modern day Museum of
the Internet, on this web site, at any time.

Selected scenes are now available for purchase and include a pen and ink drawing of "Evacuation of Casualties",
"Night Patrol" in polymer and a black ink wash of "Army Doctor Examining Vietnamese Children."
Other prints will soon be made and will become available as they are produced.

Mr. Schuyler's Biography, Critical Comments and other information
may be requested free of charge by clicking here.

 


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